Artist: Joe Bataan
Album: Riot Original Release Date: 01/01/1970
Number of Tracks: 9 Number of Artists: 5
Johnny Pacheco directed this
recording that features Joe Bataan as well as Ruben Hernandez
(Trombone), Milton Albino (Bongos), Tito Gonzalez (Piano), and
Louie Devis (Bass), performing such tracks as “It’s a Good Feeling
(Riot), “Ordinary Guy”, and, “Daddy’s Coming Home”.
Artist: Bobby Valentin Album: Rey Del Bajo Original Release Date:
1974 Number of
Tracks: 10 Number of Artists: 10
This CD offers a lot of old
favorites such as “Hay Craneo,” “Guaraguao,” Tito Puente’s “Cuando
Te Vea,” and Paquito Lopez Vidal’s “Esperame En el Cielo.” The
album features Bobby Valentin as the primary artist, contributing
to the vocals and bass, Elliot Randall (Guitar), Edwin Rodriguez
(Piano), Juan Pablo Torres (Trumpet), Humberto Ramirez (Baritone
Saxophone), and James Adams (Trombone) collaborating to make an
exciting record.
Artist: Celia Cruz & Johnny Pacheco Album: Celia & Johnny Original Release Date:
1974 Number of Tracks: 10 Number of Artists: 11
This classic CD, features the unforgettable
collaboration and performances of Johnny Pacheco and Celia Cruz,
along with an outstanding backup band. The Band consisted of Celia
Cruz (vocals), Johnny Pacheco (Flute, Percussion, Guiro, Background
Vocals), Luiz Ortiz (Trumpet) Papo Lucca (Piano) and many more.
These musicians created the all time-classics like "Quimbara,"
"Toro Mata," and "Canto A LaHabana." These tracks along with 7
others represent salsa at its best.
Artist: Celia Cruz & Tito Puente Album: Cuba Y Puerto Rico Son Original Release Date: 1966
Number of Tracks: 12 Number of Artists: 19
This CD offers a
collaboration between Tito Puente (Timbales, Vibes, drum set,
Musical Director) and Celia Cruz (Lead Vocals), which features 4
Trumpet players, 4 Trombone players, 4 Saxophone Players, Gilbert
Lopez on Piano, Bobby Rodriguez on Acoustic Bass, and Frankie
Malabe on the Conga. “La Guarachera,” “No Hay Amigos,” and “La
Plena Bomba Me Llama” are a few of the most note worthy tracks.
Artist: Charlie Palmieri Album: El Gigante Del Teclado Original Release Date: 1972 Number of Tracks: 7 Number of Artists: 13
This album Features 12 other artists accompanying
Charlie Palmieri (Organ, Percussion, Main Performer, Piano,
Conductor) like Tito Puente (Background Vocals, Choir, Chorus),
Bobby Rodriguez on Bass, Louis Laurita (Trumpet) and Bobby Nelson
(Flute, Saxophone) contributing to the wind and Brass Instruments,
and Robby Franquiz on Percussion. "El Pan Sobao," "La Hija de
Lola," and "Que se Vaya" are a few of the songs that stand out on
the record.
Artist: Cheo Feliciano Album: Cheo Original Release
Date: 1971 Number of Tracks: 10 Number of Artists: 10
This
CD marks Cheo Feliciano’s solo career. This album includes classics
like “Anacaona,” “Mano Caliente,” “Mi Triste Problema,” and “Pienso
En Ti.” Cheo’s excellent voice is supported by an all-star lineup
of classic salsa musicians like Larry Harlow (Piano), Bobby
Valentin (Bass), Johnny Rodriguez (Bongos) and many others.
Artist: Eddie Palmieri Album: Vamonos Pa’l Monte
Original Release Date: 01/01/1971 Number of
Tracks: 6 Number of Artists: 21
This diverse
album includes “Revolt/La Libertad Logico” an advanced trumpet
driven track, as well as, “Caminando” which features Eddie’s
brother Charlie Palmieri on piano. Vamonos Pa’l Monte is full of
enticing planning as well as elaborate playing. This album is one
of the finest recordings of any early 70’s salsa record. This album
also features the timbale playing of Nick Marrero and the keen
vocal chorus of Justo Betancourt, Santos Colon, and Yayo el Indio.
Artist: Hector Lavoe
Album: La Voz
Original Release Date: 1975
Number of Tracks: 8 Number of Artists:
One of Lavoe’s most important albums, La Voz, produced by Willie
Colon, features a few of Hector Lavoe’s biggest hits, “Rompe
Saraguey,” “En Todopoderoso,” and “Mi Gente.” In addition to these
classics, his remake of “Tus Ojos” illustrates his amazing voice.
This album also features classic salsa artists like Willie Colon
(Trombone, Chorus), Ruben Blades (Background Vocals, Chorus), Mark
Dimond (Piano), and Jose Rodriguez (Trumpet).
Artist: Ismael Miranda Album: Asi Se Compone Un Son
Original Release Date: 1973
Number of Tracks: 10 Number of Artists: 9
After leaving Ochestra Harlow, Ismael Miranda
started his solo career. The Cuban influenced vocalist gained
immense recognition with two of his own songs on this album, “Asi
Se Compone Un Son,” and “Ahora Si.” Produced by Johnny Pacheco,
this album also features Oscar Hernandez (Piano), Miguel Colon
(Trombone), Carlos De Leon (Trumpet), and Frankie Rodriguez
(Congas), along with a few other impressive salsa musicians.
Artist: Ismael Rivera Album: Maelo Original Release Date:
Number of Tracks: 8 Number of Artists: 9
This album produced by Ismael
Rivera (Claves, Maracas, Guiro), features Hector Lavoe (Choir,
Chorus), Victor Gonzalez (Bongos), Hector Zarzuela (Trumpet) and
more, creating classic Latin music.
Artist: Joe Cuba Album: Bang! Bang! Push, Push Original Release Date:01/01/1966
Number of Tracks: 11 Number of Artists: 6
This
immensely popular album fueled the boogaloo dance scene in New
York. The album is a classic party record that offers high-quality
material in an assortment of styles. The two title tracks “Bang!
Bang!” and “Push, Push, Push” are stand out tracks, however the CD
offers an array of genres ranging from Boogaloo, Latin Jazz, and
Latin Pop. The Joe Cuba Sextet performs all of the 11 songs; Joe
Cuba, Hector Rivera and Jaime Sabater composed these songs.
Artist: Johnny Pacheco Album: El Maestro Original
Release Date: 02/01/1975
Number of Tracks: 10 Number of Artists: 2
This Grammy
nominated album has Cuban vocalist Hector Casanova replacing Pete
“El Conde” Rodriguez at lead vocals. This classic album will please
listeners of dance or Latin music. The album features Johnny
Macheco as the primary artist with help from Hector Casanova on
vocals.
Artist: Johnny Pacheco & Pete "El Conde" Rodriguez
Album: Los Compadres
Original Release Date: 06/01/1970
Number of Tracks: 10 Number of Artists:
The album’s 10 tracks were
written and recorded by Johnny Pacheco and Pete “El Conde”
Rodriguez. The primary instruments used on the album are the
Saxophone, Percussion and Flute, mainly performed by Johnny
Pacheco.
Artist: Justo Betancourt Album: Leguleya No
Original Release Date: 1982
Number of Tracks: 8 Number of Artists: 6
This marks
the final recording Justo Betancourt recorded for Fania. It is a
combination of brilliant brass playing and magnificent singing from
the Cuban influenced artist. Justo Betancourt (Vocals, Quinto
Claves) is joined by Hector “Bomberito” Zarzuela (Trumpet), Sonny
Bravo (Piano), and Elipidio Vazquez (Guitar, Bass) in order to
create this classic album. Note worthy tracks are “Sin Motivo” and
“Leguleya No.”
Artist: La Lupe Album: Es La Reina (The Queen)
Original Release Date:01/01/1969 Number of Tracks: 10 Number of Artists:
One of the greatest voices of
Latin Music, La Lupe, the Cuban born singer, produces melodramatic
ballads on this record. This is epitomized in the song “Puro Teatro”
which has been compared to a Latin Soap Opera (lasting only 3
minutes). Her unique style separates her from female artists like
Celia Cruz. The CD is both elegant and rousing.
Artist: Lebron Brothers Album: Salsa Y Control Original Release
Date: 1970?
Number of Tracks: 8 Number of Artists: 9
The Lebron Brothers immense knowledge of
music, harmony, and music composition resulted in the album Salsa Y
Control. Carlos Lebron (Bongo, Percussion), Angel Lebron (Bass),
Frankie Lebron (Congas), and Jose Lebron (Piano) join together with
Louis and Pete Maldonado (1st and 2nd Trumpet) and a few others to
complete this classic effort by the brothers. “Bongo Loco,” the
title track “Salsa Y Control,” and “Sabor Tipico” are a few of the
albums stand out tracks.
Artist: Louie Ramirez Album: Ali Baba Original Release Date: 1971
Number of Tracks: 9 Number of Artists: 11
Louie Ramirez’s Ali Baba is a
cumulative effort between some of the most distinguished of Latin
musicians. Louie Ramirez take charge of the Percussion as well as
being the arranger and leader of the group, Bobby Rodriguez (Bass),
Hector de Leon (Trumpet), and Bobby Valentin (Trumpet) are just a
few of the many artists that contributed to this album.
Artist: Mongo Santamaria Album: Sofrito Original
Release Date: 1976
Number of Tracks: 9 Number of Artists:
This timeless Latin soul-jazz
classic by Mongo Santamaria features classic salsa and jazz
musicians working with Santamaria to produce a unique album.
“Cruzan,” “O Mi Shango,” and “Spring Song” each represent the
different styles on the record. In addition to Mongo Santamaria,
Roger Rosenberg (Baritone Sax), Armen Donelian (Piano), Steve
Berrios (Timbales, Traps), and Angel “Cachete” Maldonado (Drums)
contribute to the style of the band and music.
Artist: Larry Harlow Album: Yo Soy Latino Original Release Date: 1982
Number of Tracks: 10 Number of Artists: 26
Larry Harlow (Piano), Nestor
Sanchez (Vocals, Maracas), Nestor Torres (Flute), Nicky Marrero
(Bongos), and Pancho Roman (Timbales) and many more put forth a
great effort with Yo Soy Latino. Some of the songs included on the
record are, “Yo Soy Latino,” “Guajira Simale.” and “Chiquita Y
Goridta.”
Artist: Orquesta Inmensidad Album: La Salsa De Hoy
Original Release Date: 1984
Number of Tracks: 8 Number of Artists: 11
Ruben Blade’s younger
brother, Roberto Blades, who composed and contributed to the vocals
on this album, leads this young and energetic group. In addition to
Roberto Blades, Raul Gallimore (Piano and vocals), Douglas Keith
(Trumpet), and Humberto Lavoy (Trombone), join together to form
great tracks like, “Rosalba” and “El Toro Y La Luna.”
Artist: Pete Rodriguez Album: I Like it Like That Original Release
Date: 4/01/1967
Number of Tracks: 7 Number of Artists: 10
“I Like it (I Like it Like
That),” “Pete’s Madness,” and “Micaela” are the noticeable tracks
on this album. Pete Rodriguez, along with Manny Rodriguez (Conga),
Angelo Rodriguez (Trumpet), and Richie Rodriguez (Vocals) and more,
provide a mix of boogaloo and Salsa on their first LP.
Artist: Ray Barretto Album: Acid Original Release
Date: 1968
Number of Tracks: 8 Number of Artists: 7
Ray Barretto’s Acid, brings a
more eclectic and adventurous approach to the New York Latin Music
Scene. It is a fusion of Latin and Soul music, which was unlike any
other album of its time. “Mercy, Mercy Baby,” “A Deeper Shade of
Soul,” and “Teacher of Love” are a few of the stand out tracks on
this Latin/Soul album. In addition to Ray Barretto (Percussion,
Congas, Vocals), Big Daddy was on Bass, Rene Lopez and Roberto
Rodriguez on trumpet, Adalberto Santiago and Pete Bonet contributed
to vocals and Orestes Vilato played the timbales.
Artist: Richie Ray & Bobby Cruz Album: El Sonido De
La Bestia Original Release Date: 1980 Number of Tracks: 7 Number of Artists:
The Two most popular tracks
from this effort performed by two highly respected Latin musicians
are “Juan en la Ciudad II” and “El Sonido de la Bestia.” The two
evangelical Christians cumulative effort created a great salsa
album in El Sonido De La Bestia.
Artist: Roberto Roena Album: Y Su Apollo Sound
Original Release Date: 1974
Number of Tracks: 9 Number of Artists: 11
With help from Johnny Pacheco
(Director) and Bobby Valentin (Arranger), Robert Roena
(Bandleader/Bongos) and Elias Lopes Arranger/Trumpet) on Y Su
Apollo Sound concoct one brilliant salsa song after another. “Tu
Loco Loco y Yo Tranquilo,” “El Escapulario,” and the classic
“Sonando con Puerto Rico” help make this a traditional Puerto Rican
salsa album.
Artist: Ruben Blades Album: Bohemio Y Poeta Original Release Date:
1979 Number of
Tracks: 3 Number of Artists:
This transitional album for
Ruben Blades is still predominately salsa driven; however new
keyboard sounds and vibes create a new type of mixture for the
artist. Blades is the primary artist on the album, mostly
contributing with guitar and vocals, Louie Ramirez is believed to
be the Piano player on most of the albums tracks. The tracks, “Juan
Pachanga,” “Sin Tu Carino,” and “Paula C” represent this album
well.
Artist: Sonora Poncena Album: Fuego en el 23
Original Release Date: 1970 Number of Tracks: 10 Number of Artists:
The title track “Fuego en el
23” is one of Sonora Poncena’s trademark classics. This album
clearly shows why they are one of the most popular tropical acts
ever. Daniel Davila, Antonio Santaella and Enrique Lucca Quinonez,
along with a few others make up the musical styling of Sonora
Poncena.
Artist: Tipica 73 Album: Charangueando Con La
Tipica 73 Original Release Date: 1980
Number of Tracks: 8 Number of Artists: 18
This adventurous salsa band
led by Adalberto Santiago (Lead singer), Orestes Vilate (Timbales),
Johnny Rodriguez (Congas), David Perez (Bass) and more was known
for its experimental style and this is prevalent on this record.
The band covers Tito Puente’s “A Donde Vas,” and Chachao’s
“Chanchullo, which are standout tracks on the record.
Artist: Tito Puente Album: Para Los Rumberos
Original Release Date: 1972 Number of Tracks: 10 Number of Artists: 11
This album by the legendary
Tito Puente features Charlie Palmieri on the Organ/Piano as well as
John “Dandy” Rodriguez on the Bongos, in addition to these three
classic salsa musicians; a professional brass section accompanies
them. The band delivers 10 tracks full of energy and history.
Artist: Willie Colon Album: El Malo Original
Release Date: 1968
Number of Tracks: 8 Number of Artists: 10
El Malo, a favorite among
salsa fans, was Willie Colon’s first ever recording at the age of
17. “Juana Pena,” “Jazzy,” and “Borinquen” are just a few of the
albums striking tracks. The album offers an array of styles ranging
from jazz, salsa, and boogaloo. Hector Lavoe also performs on the
album with Colon. In addition, Dwight Brewster (Piano), James
Taylor (Bass), Joe Santiago (Trombone) and more add to the CD’s
style.
Four trombone players back
this dynamic collaboration between Willie Colon and Ruben Blades
who lend their voices to the albums tracks. In addition, Jose
Terres (Piano), Eddie Rivera (Bass), Jose Mangual Jr. (Bongos,
Maracas, Background Vocals) and more collectively created an
explosive salsa album. Tracks like “Siembra,” “Pedro Navaja,” and
“Plastico” are an example of the excellent salsa provided on this
album.
PRESS RELEASE
Fania Records
Releases a Series of Limited Editions
07 JULY 2006
Fania Records Releases a Series of Limited Edition Remastered
Releases from the Boogie Down Boogalu Era of Latin N.Y. Music
NEW YORK, July 7 -- Fania Records announced the release of five
rare recordings from the 1960s - 70s "boogalu" era that feature
the funky back beat of Joe Bataan and the East Side Kids; the
raw energy of George Guzman; the jam sessions of Joey Pastrana;
the romance of Ralfi Pagan and the "salsa" of Panamanian
crooner, Azuquita (Sugar) and his "Orquesta Melao."
Remastered from the original multi-track recordings, only 5,000
numbered copies of each Cd will be released to the public. The
reissued releases feature bilingual liner notes accompanied by a
photo from the original album covers. Joe Bataan, for example,
spotlights his band in an inner city vest pocket playground with
low-income housing projects as its backdrop.
Considered a precursor to the rap, hip-hop and reggaeton that
has overtaken inner city youth today, these recordings provide a
glimpse into the future of Latin music illustrating a unique
sound that marries mambo with R & B wrapped around English (and
in some cases "Spanglish") lyrics.
"We're very proud of these packages not only for the quality of
sound but for their historic significance in the soundtrack of
Latin N.Y. life. They're already being requested by collectors,
radio jocks and historians. These recordings commemorate an
innocent time of struggle, survival and identity for some first
and second generation of Latinos growing up in New York. We're
happy to have been able to rescue and restore this music and era
for the many who were weaned on the urban music of New York
streets," underscored Fania records spokesperson, Giora Breil,
Partner and Sr. V.P. of Marketing for Emusica, the entertainment
company that bought the assets of Fania Records.
Emusica acquired the Fania Records catalog of more than 1,300
recordings last year. The company has reissued some 100
remastered Cds onto the market with great fanfare. "Salsa today
is associated with a particular generation," adds Breil, "but it
is a music that has always been intergenerational and
multicultural." The Fania catalog, with more than 13,000 tunes,
is considered the Motown of Tropical music.
"With this catalog, we want to build on what was produced from a
fantastic artistry," Breil confirmed. The company has already
released and reissued some 100 classic recordings.